Jean Seberg was the “It Girl” of the 1960s French New Wave film movement and a brilliant thespian whose petite physique is surprisingly affixed with a pair of statuesque “stealth bomber” suck sacks—meaning they’re bigger than you imagine. Unfortunately, we never actually got to see Jean nude in a movie or TV show (those titanic tits in Macho Callahan belong to a body double), so we have had to spend a lot of time imagining the blonde babe nude, which is not a shoddy way to occupy one’s libido. Megalomaniac director Otto Preminger discovered Jean at the University of Iowa and nearly destroyed her career by casting the young girl as Joan of Arc in St. Joan (1957). From there, Jean-Luc Godard made her an sexistential symbol in Breathless (1960). Jean then worked steadily overseas, with films like A Fine Madness (1966) capitalizing on her offhand sex appeal. She finally made it back to American productions like Paint Your Wagon (1969). The Lee Marvin/Clint Eastwood musical had a lot of cowboy flick fans scratching their heads but nobody minded how Jean’s copious cleavage came flopping out when a lusty Lee Marvin grabbed her blouse. Airport (1970) was a proper hit, but Ms. Seberg—typically—followed mainstream success with skintillating scenes in Macho Callahan (1970) and Kill! (1971). Then it was back to almost baring her ‘bergs in European productions such as Camorra (1972) and Questa specie d’amore (AKA This Kind of Love) (1972) all the while struggling with both personal problems and FBI surveillance prompted by her association with the Black Panthers. The troubled actress was found dead in Paris from a barbiturate overdose in 1979. Thankfully the beauty of Jean Seberg springs eternal.