Brunette ravisher Caroline Munro is a child of the 1950s, reared in a conservative tradition but unable to contain the burgeoning sexuality of her stacked and packed, tan and taut frame. The quintessential prim and proper English convent schoolgirl was also the consummate erotic tease. While only seventeen, in swinging 1967, Caroline was already working for Vogue magazine in the midst of the love revolution that was then engulfing London. She provided skimpy-clothed window dressing for the James Bond spoof Casino Royale (1967). By the time ten years had passed, Munro’s smoldering look and her line delivery had matured to the point where she co-starred opposite Roger Moore in the real James Bond blockbuster The Spy Who Loved Me (1977). In the intervening decade, sinfully shapely Caroline reigned, a crotch-melting combination of carnal and chaste, as the cleavage-accentuating main mammary attraction in a string of horror classics including The Abominable Dr. Phibes (1971), Dr. Phibes Rises Again (1972), and Dracula A.D. 1972 (1972). Despite a moral conflict that prevented Caroline from agreeing to venture beyond near nudity, the line came close to being crossed as her breasts threatened to escaped a low-cut tunic in The Golden Voyage of Sinbad (1974). Additional titty-popping exposure came in Captain Kronos – Vampire Hunter (1974) and as spacey heroine “Stella Star” in Starcrash (1979). Caroline continued to act throughout the ’80s, ’90s, ’00s, and ’10s but with varying frequency. She was last seen in The Haunting of Margam Castle (2020), seven decades old but with a cleavage half that age.