A classy English lassie with a full-bodied chassis, Polly Walker is one of those eminently respectable English actresses whose accent is as high-flown as her breasts. Polly has established a solid reputation in such period-piece costume dramas as Restoration (1995), Emma (1996), and Talk of Angels (1996). The dimpled brunette’s artistic ass-pirations are broad enough to encompass exploring the full spectrum of her ass in costume-free dramas such as 8½ Women (1999). The countless wonders of 8½ Women include Walker walking fully nude to the camera, standing fully nude in a sun-drenched shower, and rotating the spheres of her big, round Brit bum as she slowly spins out of bed and goes to look for some clothes. This was the best skin-showing of Polly’s career…until, six years later, she appeared as Atia of the Julii in another period-piece, the HBO/BBC Two drama series Rome. Her exposure in this series is nearly identical to that in 8½ Women. She stands up completely naked, giving the audience–and her on-screen son (kinky!)–a full look at her boobs and bush, before she turns around and gives all of us a full look at her moon. She received a Golden Globe nomination for showing her two sets of golden globes in this show. Other Polly skin flicks include Robinson Crusoe (1997), in which she lets the audience dig her treasure chest; The Gambler (1997), wherein Polly gets pokered from behind; and Dark Harbor (1998), which harbors Ms. Walker’s darkly-lit nips. Polly want another nude role? Mr. Skin certainly does.