Before getting her start in acting, Natalia Wörner was a successful international model working in Paris, Milan, New York, Zurich, and Vienna. Not very well known in America, Natalia has been a household name in Europe since her debut in the German film Thea und Nat (1992). Equally at ease in comedies, dramas, thrillers, and horror movies, she also seems quite comfortable appearing onscreen in the furry-muffed buff. Her magnificently untamed bush and gloriously proportioned gazongas are in full gratuitous display before, during, and after a shower (her very first skin scene!) in law enforcement drama The Die Sieger (1994). Later that same year she showed some flesh opposite Gerard Depardieu in La Machine (1994). Her naked body is obscured by the guy on top of her in Kinder der Nacht (1995) so for the best bang for your foreign film buck, check out the very nearly explicit sex scenes in Der Elefant vergist nie (1995), which only runs twenty-nine minutes, so there’s no waiting around for the good parts! An elephant never forgets, and you’ll never forget seeing her get sexed up in der elephant. If voyeurism is your thing, she has a very nice balcony sex scene in Irren ist mannlich (1996) bouncing up and down on top of a guy, who is resting on a window. Window sex should have a cool name like “the mile high club.” Window bopping? Ass on the glass. We’re just spitballing. If you want to see bush, you need to check out liebe und Verlangen (2003), specifically, her spark striking lesbian sex scene with Katja Flint. After starring in Miss Texas (2005) she had us nutting twenty times with her work in 20 nuits et un jour de pluie (2006). While she continues to act in scores of German television shows, her last nude work came in the Starz miniseries, The Pillars of the Earth, where she was constantly showing her puffy pillows while exploring some lucky guy’s girth. Europeans may be known for their willingness to get naked, but Natalia takes it to the next level. Very few get us hornier than Natalia Worner.