Tiffany Craig is one of those faceless warriors for the wanton expression of sex that appear fleetingly on the screen and then disappear just as fast. They leave little trace of their presence, only the play of shadow and light captured on film. These are the selfless heroes of fantasy. They exist seemingly solely for the purpose of arousal and release of pent-up tensions. We salute you, Tiffany, one-handedly, of course. For it is your work in Kalnan sa highway (2004), a Philippines drama that features sexual desire and prostitution—and we love them both—that is the stuff of legends.
